The highlight of this week for me has been a visit to an exhibition centred on the Lindisfarne Gospels. The Gospels were written on a monastery on the island of Lindisfarne (also known as Holy Island), just off the Northumberland coast in about 700AD. They consist of illuminated manuscripts of the Gospels of Matthew, Mark, Luke and John bound together in a single volume to form one of the most important artistic, cultural and historic artefacts ever produced in the north east. Not only that but it's story is inextricably bound up with that of other pillars of regional Christianity, namely Saint Cuthbert and Durham Cathedral. It's only fitting therefore, that the exhibition should be based at Durham University library, literally a stones-throw from the Cathedral and the Shrine to Saint Cuthbert.
The story of the Lindisfarne Gospels goes back to 664AD and a crisis in the Christian community on the island of Lindisfarne. Prior to this time, English Christianity had been subjected to two different influences, those of the southern-based Roman church competing with the rival Irish tradition, stronger in the north and to which Lindisfarne belonged.
The biggest disagreement between the two churches was over the timetable of Easter, as each one used a different method to calculate the date. This dispute reached a head when the Bernician king Oswy, ruler of Northumbria and based at nearby Bamburgh, married Eanflaed who originally hailed from Kent. King Oswy, following the local Irish calender found he was celebrating Easter perhaps a week earlier or later than his wife, who favoured the Roman date. As a result, Oswy arranged a church council at Whitby in 664 to settle the debate once and for all, with himself as judge.
Durham Palace Green Library |
Whatever the reason, it was a severe blow to the Irish tradition that Lindisfarne belonged to. Its position within the Anglo-Saxon church was downgraded and many of its members, including the bishop, could not (or would not) compromise their beliefs and so returned to Ireland. The task of reforming and rebuilding Lindisfarne as a centre of Christian learning fell to a monk from the monastery at Melrose, now in Scotland but at that time part of Northumbria. His name was Cuthbert.
Despite being educated in the Irish tradition, Cuthbert accepted the ruling of Oswy at Whitby and successfully overcame opposition to reform Lindisfarne, first as Prior and later as Bishop. He managed to combine his responsibilities with his own preference for an austere, hermit-like life and when he died in 687 it was not long before miracles were being reported at his grave.
It's at this point, around 700, that the Lindisfarne Gospels were produced and it may not be coincidence. The monks were advocating Cuthbert as a candidate for sainthood and producing a deluxe version of the most sacred books of the early church may well have been part of the effort. And some effort it was. It's believed the book was written by only one man over a period of five or six years. This man was probably Eadfrith, bishop of Lindisfarne from 698 to 722. Around 960, a priest at Chester-le-Street called Aldred added an Old English (the language of the Anglo-Saxons) translation (called a gloss) written word-for-word above the latin original. How do we know this? Because Aldred tells us! He added a personal note (a colorphon) at the end. He wrote:
"...Eadfrith bishop of the church of Lindisfarne, in the beginning wrote this book for God and St Cuthbert and for all the holy ones who are on the island. And Aethilwald, bishop of the Lindisfarne-islanders, bound and covered it without, as he well knew how.
And Billfrith the anchorite forged the ornaments which are on the outside, and bedecked it with gold and with gems, and also with gilded silver - pure wealth.
And I, Aldred, unworthy and most wretched priest - born of Alfred, Aldred I am called, the outstanding son of a good woman, I speak - with the help of God and St Cuthbert wrote a gloss above it in English."
Durham Cathedral. A Resting Place Fit For A Saint |
Shrine to St Cuthbert in Durham Cathedral |